The school year has ended and I’ve begun to organize my summer practice schedule. During the academic year I find it very difficult to squeeze in any more than 3 hours of practice per day. My typical day begins at 4:30 AM, when I let my dog out to the back yard, start my coffee maker, and let the dog back in. By 4:45 I’m tuning my guitar, buffing my nails and beginning my morning warm up exercises. These include very slow right and left hand finger placement exercises, either arpeggios or tremolo work, and then short fast scales. At around 5:20 or 5:25 I perform my morning ablutions, and at 5:50 or 5:55 wolf down what passes for breakfast.
I get to my classroom around 6:10 or 6:15, and once I’ve opened up the guitar locker-room/music library and fired up my computer, I sit in my office for 30 minutes of scale work.
My teaching begins at 7, and it is an unusual day indeed when I’m able to practice before it ends. Dismissal is at 2:05, and I’m in my office working until 2:45 on some days and 4:00 on others. On the days when I’m finished at 2:45 I then either go home to give some private lessons, or head over to Southeastern University to give lessons or direct the guitar ensemble. I typically finish up everything around 6 or 7 PM, and then have some dinner. So, now it’s 8 PM and I begin my real practicing. I try to get in another 2 hours, and it just depends on how fatigued I am as to whether I get it all in or not.
You can see why I live for the summer! My typical summer schedule begins with an hour bike ride, and I begin my warm ups at 8. Half hour of warm ups, followed by a short break, half hour of scales, followed by another short break, and then half hour of sight reading.
At this point I may take a slightly longer break, and then I resume with half hour of Aim Directed Movement, followed by half hour on my newest repertoire. At this writing the ADM and new repertoire is all the Barrios “Catedral”. After lunch I resume with half hour of repertoire that, while not my newest is still not completely learned. Right now that is the Koshkin “Merlin’s Dream”. After that (and a short break) I spend half hour on my almost-finished repertoire, which now is Troy Gifford’s “Fantasia on a theme by Ravel”.
I then take a big break from the guitar during which I read a book, write letters, articles, or whatever, and then I get back to my practicing with half hour or so of work on choros.
In my next post I will begin to break down each segment of my practice schedule to give a clearer picture of what I do and why I think it’s important.